1995's landmark charity album 'Help' returns with a sequel. Discover new covers from Olivia Rodrigo & more, supporting children in Ukraine, Gaza, Sudan, and ...
- March 29, 2026
AceShowbiz - The original Help compilation, released in 1995 by the British charity War Child UK, was a landmark project that not only introduced a song destined for Radiohead's OK Computer but also featured Sinead O'Connor covering Bobbie Gentry and a rare supergroup collaboration between Paul McCartney, Noel Gallagher, and Paul Weller. Beyond artistic achievements, the album raised over $1.5 million to support children in war-torn regions such as Bosnia.
More than three decades later, the charity has launched Help (2), a sequel album designed to rekindle the original’s spirit at a time when the need for assistance is urgent, benefiting children affected by conflicts in Ukraine, Gaza, Sudan, Syria, and beyond.
The album’s appeal is bolstered by a diverse lineup of high-profile and emerging artists. Among the most notable contributions is Olivia Rodrigo's unexpected cover of a song by The Magnetic Fields, marking a fresh yet familiar touchpoint for listeners. Meanwhile, Cameron Winter debuts his first original track since his band Geese gained significant traction over the past year. The lead single, “Opening Night,” marks the first new release from Arctic Monkeys since 2022, setting the tone for the compilation’s blend of innovation and homage.
The album shines with original pieces from acclaimed artists including Black Country, New Road, Arlo Parks, Big Thief, and Sampha. The latter’s ballad “Naboo” stands out for its emotional depth, irrespective of its speculative references. These musicians, at critical points in their careers, have reportedly contributed their master recordings to this charitable endeavor, emphasizing the album’s unique value. Additionally, Scottish noise-rap group Young Fathers command attention with “Don’t Fight the Young,” a track whose urgency and message resonate strongly with War Child’s mission, making it a thematic centerpiece.
Covers on Help (2) are equally compelling and reflective of the charity’s bridging of eras. The presence of 1990s singer-songwriters is evident, with Olivia Rodrigo revisiting Magnetic Fields’ work and Beabadoobee offering a heartfelt interpretation of Elliott Smith’s “Say Yes.”
Perhaps the most poignant covers are those by Fontaines D.C., who reinterpret Sinead O’Connor’s “Black Boys on Mopeds,” a song with enduring relevance from the original Help compilation. Another standout is a collaboration between Arooj Aftab and Beck on Jeff Buckley’s “Lilac Wine,” underscoring Buckley’s ongoing cultural resurgence.
Overall, Help (2) not only honors the legacy of its predecessor but also brings together a new generation of artists committed to using their voices and talents for a vital humanitarian cause. The compilation promises both musical richness and a powerful statement of solidarity with children living amid the world’s most challenging conflicts.