Harris Dickinson, born on 24 June 1996, is an English actor and filmmaker who has rapidly ascended to become one of the most compelling and versatile talents of his generation. He first captured international attention with a raw, breakout performance in the critically acclaimed drama Beach Rats (2017), a role that earned him a nomination for the Independent Spirit Award for Best Male Lead and immediately established him as a formidable screen presence. From his early days in British television to his recent turn as a celebrated director, Dickinson has consistently demonstrated a fearless commitment to challenging, complex characters across a diverse range of independent and blockbuster projects.

Following his auspicious debut, Dickinson took on the role of John Paul Getty III in the FX drama series Trust (2018), a period piece that delved into the infamous Getty kidnapping. This high-profile television role served as a springboard into major studio filmmaking, leading to appearances in Maleficent: Mistress of Evil (2019) and the period action spectacle The King's Man (2021). While these projects showcased his ability to navigate big-budget productions, Dickinson continued to gravitate toward auteur-driven cinema. He delivered a standout performance in Ruben Östlund's Palme d'Or-winning social satire Triangle of Sadness (2022), and further demonstrated his dramatic range in the mystery drama Where the Crawdads Sing (2022), solidifying his reputation as a leading man capable of carrying both prestige and commercial fare.

In 2023, Dickinson delivered a physically and emotionally transformative performance as real-life wrestler David Von Erich in the acclaimed sports drama The Iron Claw, a role that earned him widespread critical praise and a nomination for the BAFTA Award for Best Actor in a Supporting Role. He also starred in the FX limited series A Murder at the End of the World (2023), which premiered to strong reviews. The following year, he starred opposite Nicole Kidman in the provocative erotic thriller Babygirl (2024), a performance that challenged audiences and further cemented his status as a daring and unpredictable actor. This role earned him his second BAFTA nomination, this time for Best Actor in a Leading Role, and solidified his place as one of the most talked-about performers of his era.

Beyond his acting career, Dickinson has also pursued his passion for filmmaking behind the camera. In 2025, he made his feature film directorial debut with Urchin, a project that he also wrote. The film premiered at the 2025 Cannes Film Festival, where it won the prestigious FIPRESCI Prize, marking a significant milestone in his career. This achievement highlights his multifaceted talent and positions him as a distinctive voice in contemporary cinema. With a career that seamlessly bridges arthouse sensitivity and mainstream appeal, Harris Dickinson continues to evolve, consistently choosing projects that defy easy categorization and reaffirming his status as a singular force in the entertainment industry.