Stacy Cochran is allowed to give her audience the benefit of the doubt as far as filling in the blanks to their past and their disparate paths forward. That decision is in fact one of the best aspects of her film
romantic yet schematic comedy-drama; The core of the film is Ruth and Jonny's backstory, which is dosed out in frustrating droplets but is nonetheless affecting
a great-looking mess; The movie is unprepared for the crime-flick beats it tries to hit,...the multiple twists that follow are even tougher to accept; A nice idea, maybe, but not one many viewers are likely to buy
a delectable mix of a romantic comedy and a heist thriller; It's beautiful storytelling, and a refreshing break from the crushing sameness of so many blockbusters of our era
